![]() Indeed, at the time of these charges, the artist had no wife to mistreat, as Anneke had died in May 1615. As biographer Seymour Slive has pointed out, older stories of Hals abusing his first wife were confused with another Haarlem resident of the same name. Anneke died in 1615, shortly after the birth of their third child and, of the three, Harmen survived infancy and one had died before Hals's second marriage. Anneke was born 2 January 1590 as the daughter of bleacher Harmen Dircksz and Pietertje Claesdr Ghijblant, and her maternal grandfather, linen producer Claes Ghijblant of Spaarne 42, bequeathed the couple the grave in the Grote Kerk church where both are buried, though Frans took over 40 years to join his first wife there. Unfortunately, the exact date is unknown because the older marriage records of the Haarlem city hall before 1688 have not been preserved. ![]() Frans was of Catholic birth, however, so their marriage was recorded in the city hall and not in church. Statue of Frans Hals in Florapark, Haarlemįrans Hals married his first wife Anneke Harmensdochter around 1610. His most famous sitter was René Descartes, whom he painted in 1649. His 'breakthrough' came with the life-sized group portrait The Banquet of the Officers of the St George Militia Company in 1616. The earliest known example of Hals's art is the portrait of Jacobus Zaffius (1611). It was in this cultural context that Hals began his career in portraiture, since the market had disappeared for religious themes. The remaining art, which was considered too Roman Catholic, was sold to Cornelis Claesz van Wieringen, a fellow guild member, on condition that he remove it from Haarlem. The council had confiscated all Catholic religious art in the Haarlemse Noon, although it did not formally possess the entire collection until 1625, when the city fathers had decided which were suitable for the town hall. The restoration work was paid for by the council. The most notable works were those of Geertgen tot Sint Jans, Jan van Scorel, and Jan Mostaert that hung in the St John's Church in Haarlem. ![]() He worked on their large art collection, which Karel van Mander had described in his Schilderboeck ("Painter's Book") published in Haarlem in 1604. ![]() In 1610, Hals became a member of the Haarlem Guild of Saint Luke, and he started to earn money as an art restorer for the town council. Hals studied under Flemish émigré Karel van Mander, whose Mannerist influence, however, is barely noticeable in Hals's work. Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. 1542–1610) and his second wife Adriaentje van Geertenryck. Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( c. ![]()
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